Exhibition Practice

Gate Control Theory

New York New York, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 x 99 cm, Gate Control Theory series, London

New York New York · 2014 · 119 × 99 cm · Silkscreen on wax in welded steel tray


In their 1965 paper, Melzack and Wall proposed that pain could be modulated by competing stimuli — pressure, cold, touch — travelling through the nervous system faster than pain signals, effectively closing the gate before they reach the brain.

O’Connell applies this logic to the psychological design of casino carpets. The bold, disorienting patterns that carpet Las Vegas casino floors are engineered stimuli — keeping gamblers alert, spending, unable to locate an exit. O’Connell’s silkscreens take these patterns as source material, then subjects them to the physical interventions of massage therapy: rubbing, kneading, tapping into the wax surface.


Circus Circus, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Circus Circus, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Circus Circus 2014 · 119 × 99 cm · Silkscreen on wax in welded steel tray
Palazzo, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Palazzo, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Palazzo 2014 · 119 × 99 cm · Silkscreen on wax in welded steel tray
Paris, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Paris, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Paris 2014 · 119 × 99 cm · Silkscreen on wax in welded steel tray
Bellagio, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Bellagio, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Bellagio 2014 · 119 × 99 cm · Silkscreen on wax in welded steel tray
Flamingo, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Flamingo, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
Flamingo 2014 · 119 × 99 cm · Silkscreen on wax in welded steel tray
The Rose (Closed), 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
The Rose (Closed), 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 119 × 99 cm, Gate Control Theory series, London
The Rose (Closed) 2014 · 119 × 99 cm · Silkscreen on wax in welded steel tray
The Golden Gate, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 70 × 60 cm, Gate Control Theory series, London
The Golden Gate, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 70 × 60 cm, Gate Control Theory series, London
The Golden Gate 2014 · 70 × 60 cm · Silkscreen on wax in welded steel tray
Paris, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 70 × 60 cm, Gate Control Theory series, London
Paris, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 70 × 60 cm, Gate Control Theory series, London
Paris 2014 · 70 × 60 cm · Silkscreen on wax in welded steel tray
Circus Circus, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 70 × 60 cm, Gate Control Theory series, London
Circus Circus, 2014, Ruairiadh O'Connell, silkscreen on wax in welded steel tray, 70 × 60 cm, Gate Control Theory series, London
Circus Circus 2014 · 70 × 60 cm · Silkscreen on wax in welded steel tray
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